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Recognize, De​-​escalate & De​-​code

by Andras Jones

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1.
Action 03:24
I tried to be a good time guy but I was ill-equipped Guess I was pussy-whipped well before my prime and you tried to give me love but I didn’t want your love Not without your action And you know that my songs ain’t good except when times are bad and all of the fun we had you never said a word and now that seems so strange You wanted my hand and I wanted your action I wanted your action And now… While the world’s asleep except you and me this moment I will take to whisper softly in your ear the words that I want to hear Show me some action I want your action Show me some action I want your action Show me some action I want your action From your daddy too I’m talkin’ ‘bout action satisfaction Pretty words ain’t got no traction Why don’t you show me the action now I want your action
2.
Record Store 03:04
My town’s still got a record store You don’t see many of ‘em ‘round no more I used to be on the radio Yeah Yeah Synchronicity Yeah Yeah Baby you and me Every Tuesday night from 6 to 8 we would chaotically congregate Yeah but the boring haters couldn’t wait Yeah Yeah for synchronicity baby Yeah Yeah Thinkin’ you and me maybe Gotta recognize, de-escalate and de-code “What’s that?”, you ask… Is my town still a community? Yeah Yeah Well maybe hypothetically I used to be on the radio yeah yeah with synchronicity baby yeah yeah Thinkin’ you and me maybe Gotta recognize, de-escalate and de-code this situation Otherwise might as well kiss goodbye to our radio station Recognize, de-escalate and de-code this situation I’m talking ‘bout the truth and the reconciliation Mandela style Yeah Yeah My town has still got a record store Yeah Yeah My town has still got a record store Yeah Yeah My town has still got a record store with synchronicity baby yeah, yeah thinkin’ you and me… My town has still got a record store
3.
Dylan & Moses Moses & Dylan Who is the hero? And who is the victim? Of Mia & Woody Woody & Mia You gotta choose Moses or Dylan That’s right! It’s either Dylan or Moses Don’t fight You can look ‘em up all you like and make up your own prognosis ‘bout Woody & Mia Mia & Woody And then we… cry out collectively, “What about Soon-Yi?” She’s married happily (as can be) while Sinatra’s baby’s on network TV Some twisted sequel to that film by Polanski shot in the Dakota in 1968 They wanted it all but they just had to wait for Dylan & Moses for Moses & Dylan for Ronin & Soon-Yi for Soon-Yi & Ronan and Woody & Mia Mia & Woody Dylan & Moses & Ronin & Soon-Yi and Woody and Mia and all of the rest Dylan & Moses Ronin & Soon-Yi Dylan & Moses & Ronin & Soon-Yi & Woody & Mia and… Dylan & Moses Moses & Dylan Dylan & Moses & Ronin & Soon-Yi and Woody & Mia and…
4.
Worried mind Last time I was in this place things got way outta hand Nearly got punched in the face and I pissed off the whole damned band Ain’t the first time this has happened to me Get to know me and then you’ll see That’s how I am I ain’t lookin’ for trouble but that’s all I find When you’re a magnet for trouble you know you live on the bubble You get a worried mind Got a worried mind! No matter who is to blame I know it’s prob’ly my fault but I don’t stress out with shame or worry ‘bout gettin’ caught If that offends you ain’t much I can do Just got to be me and let you be you That’s how I am… I ain’t a-lookin’ for trouble but that’s all I find When you’re a magnet for trouble you know your home’s made of rubble You get a worried mind And a worried mind makes a worried mind makes a worried mind makes a worried mind My buddy called distraught at the thought of blocking someone He told me it was his first and I said, “That’s adorable son” Then I whipped out my long blocked list He laughed He couldn’t resist That’s how I am I ain’t lookin’ for trouble but that’s all I find When you’re a magnet for trouble you know you could use a double You get a worried mind And a worried mind makes a worried mind makes a worried mind makes a worried mind…
5.
You called on Kali Kali called you back but you wouldn’t pick up the phone You called on Kali Kali called you back but you pretended like you weren’t even home Oooo You got to own your lips, girl Oooo What you say Now you’re the victim and I’m the bad man and you got control I ain’t no victim and you’re no bad man, girl You’re just a filling your hole Oooo You got to own your lips, girl Oooo What you say Oooo You got to own your lips, girl Oooo What you say-hey-hey…Reality Hey, Hey, Hey…That’s your reality Hey, Hey, Hey…Ain’t no reality muffin
6.
She was always in that monster truck going somewhere Sparkin’ up a joint yeah and I wanted her to be my girlfriend Oh, I wanted her to be my girlfriend but she hated everyone in this town because they put her down Everybody said she was trash Everybody said she was trash Everybody said she was trash Everybody said it Everybody said it But we were drinkin’ beer by the fire making out on her tailgate Crankin’ up the tunes yeah and I didn’t wanna start a big fight No I didn’t want to start a big fight but I could see it in her eyes she’d be leaving by tomorrow night Everybody said she was trash Everybody said she was trash Everybody said she was trash Everybody said it Everybody said it
7.
There’s a comedian in this town who gets mad if you call him a clown even though clown’s just a synonym for his profession So, let’s just call him Sam the big comedian with absolutely no sense of humor about the word clown Well he chased me down the street outside of Obsidian Shoutin’ and threatenin’ Man, he wasn’t kiddin’ and if it happened to you you’d believe that it was true but since it happened to me you probably think it didn’t Well I did this guy the grave injustice of inviting him to do my show It didn’t go as well as he’d hoped and he blamed me for the whole situation in an angry after-show text that led me to mutter under my breath “Aw…I made the clown cry” That’s why he chased me down the street outside of Obsidian that night Shoutin’ and threatenin’ Man, he wasn’t kiddin’ He was lookin’ for a fight sayin’… “You called me a clown You called me a clown Admit it you called me a clown” That’s what he shouted as he ran me down Ain’t that hilarious? Come on, Sam! That’s fuckin’ hilarious, man! There’s a comedian in this town who flips out if you call him a clown He's got absolutely no sense of humor about the word clown So if you see him clownin’ around don’t make the mistake of callin’ him a clown even under yer breath when he’s not around He might chase you down the street outside of Obsidian That’s right! Shoutin and threatenin’ Man, he won’t be kiddin’ He'll be lookin’ for a fight and when it happens to you I’ll believe that it’s true ‘Cause it happened to me…
8.
If you knew Olympia’s secret do you think that you could keep it? And if you knew Olympia’s secret everything might change… Because back when both her legs were sturdy she never thought of herself as dirty but now she’s only thirty two and she’s so scared of you and what you might do If you knew – Olympia’s secret If you knew – Olympia’s Secret If you knew – Olympia’s Secret Olympia!!! Because if she was a famous stripper She’d never get the same props as a dead rock singer And if you knew Olympia’s secret you might call her names God, it would be so strange If you knew – Olympia’s secret If you knew – Olympia’s Secret If you knew – Olympia’s Secret If…she knew…that I was in town Well, it would probably bring her down Bring her down but if she knew that I’d passed right through without even dropping in her head would spin Let’s go for a spin Olympia… If you knew – Olympia’s secret If you knew – Olympia’s secret Everything might change God it would be so strange If you knew – Olympia’s secret If you knew – Olympia’s secret If you knew – Olympia’s secret Olympia
9.
Knew You 05:19
I thought I saw you hangin’ on the scene standin’ on the corner talkin’ mean I thought I saw ya hangin’ ‘round downtown with yer hands in yer pockets and yer head slung down lookin’ like a mutant Steve McQueen But I could be wrong I could be mistaken and maybe that wasn’t you Hangin’ ‘round with your new crew Yeah, you look so bad but you got nothin’ better to do I thought I knew you I thought I saw you lurking in the eyes of the kind of guys that we had once despised I thought I saw you look away I thought I saw you fade to grey I thought I saw the crack in disguise But I could be wrong I could be mistaken and maybe that wasn’t me Seein’ things I didn’t see Yeah, you look so bad but you got nothin’ better to be I thought I knew you Yer head is blowing up like it’s a big balloon I hate to interrupt yer masquerade but soon it's going to erupt and it’ll just go… boom I thought I saw you hangin’ on the scene with the seventh son of Martin Sheen I thought I saw you bein’ cool I thought I saw you bein’ cruel I thought I saw the line blur in between but… I could be wrong I could be mistaken and maybe that wasn’t you hangin’ ‘round with yer new crew yeah you look so bad but you got you got nothin’ better to do… I thought I knew you… …but I never knew you
10.
Get outta my head Get outta my heart That thing that you said just tore me apart I thought I could take it and maybe I can but when I run out of juice and I don’t have a plan I made up this mantra to get back on track I don’t think you’ll like it Oh no I know you won’t like it So get outta my head Get outta my heart Get outta my head Get outta my heart Get outta my head Get outta my heart I meant what I said from the end to the start You taught me so much and now that I know I don’t think I like it Oh no I know I don’t like it So get out of my head get out of my heart get out of my head get out of my heart Get out of my head Get out of my heart Get outta my head and my heart and heart and my head and my Get outta my Get outta my Get outta my head and my heart and heart and my head and my… Outta my head Get outta my heart Get outta my head Oh yeah get outta my heart
11.
It's a pretty cool chord to build a world around Each note its own reward Fast forward or rewound And when you’re trapped and feeling bored and no one is around Your solitude assured you pour some verb into your noun and all to soon the song is done and that’s no fun ‘cause it’s a really cool chord to build your day around Oh yeah It's all you can afford but that don’t get you down and the fact is you’ve adored this chance to shut it all down Don’t know what you’re heading toward as you sink into the sound and all too young the song is done and that’s no fun Naw it ain’t no fun Naw it ain’t no fun Might as well make it wonderful
12.
Well I’m sorry kid Forgive me for the things I never did You know that I love you true so I say, “Thank you for everything you do be it false or true” And I’m sorry girl Forgive me for the thoughts I hurl You know that I love you true so I say, “Thank you for everything you are be it near or far” And I’m sorry man Forgive me for what I am You know that I love you true so I say, “Thank you for everything you’ve done whether ya lost or won” Well, I’m sorry folks Forgive me for my bad jokes You know that I love you true so I say, “Thank you I’m sorry Forgive me I love you Thank you

about

Recognize, De-esaclate & De-code is Andras Jones's prescription for these cognitively dissonant and censorious times. In an age when projecting, escalating and ignoring is the order of the day...can a rock and roll record make a difference?

credits

released April 19, 2024

Written, Produced & Performed
by Andras Jones
Except where noted below

ACTION
Andras Jones – Vocals & Guitars
Jordan Summers – Wurlitzer Organ
Jordan Katz – Trumpet
Janet Robin – Guitar Solo
Sebastian Steinberg – Bass Guitar
Jimmy Paxson – Drums

Recorded & Mixed with Sheldon Gomberg & Kevin Smith

RECORD STORE
Andras Jones – Vocals & Acoustic Guitar
Scott Taylor – Bass, Keyboard, Toy Piano & Backing Vocals
Skyler Blake – Electric Guitar & Backing Vocals
Peter David Connelly – Drums

Recorded & Mixed with Skyler Blake & Scott Taylor

DYLAN & MOSES
Andras Jones – Vocals & Acoustic Guitar
Jordan Summers – Keyboards
Geoff Pearlman – Lead Guitar
Jordan Katz – Trumpet
Sylvain Carton – Clarinet
Cindy Wasserman – Vocals on Bridge
Rhythm Section Unknown

Recorded by Andras Jones
with R. Walt Vincent & Sheldon Gomberg & Kevin Smith
& the players in their home studios
Mixed with Sheldon Gomberg & Kevin Smith

MAGNET FOR TROUBLE
Andras Jones – Vocals, Acoustic Guitar & Keyboards
Cindy Wasserman – Vocals on Bridge
Timothy Young – Lead Guitar
Scott Taylor – Tambourine
Rhythm Section Unknown

Recorded by Andras Jones
& the players in their home studios
Mixed with Sheldon Gomberg & Kevin Smith

OWN YOUR LIPS
Andras Jones – Vocals & Acoustic Guitar
Scott Taylor – Bass Guitar, Keyboards, Tambourine & Backing Vocals
Skyler Blake – Lead Guitar
Peter David Connelly – Drums

Recorded & Mixed with Scott Taylor & Skyler Blake

TRASH (written by Paul Plagens)
Andras Jones – Lead Vocals, Electric & Acoustic Guitar
Paul Plagens – Intro dialogue
Ken Stringfellow – Keyboards, Piano, Guitars, Backing Vocals & Percussion
Rhythm Section Unknown

Recorded by Sheldon Gomberg & Kevin Smith & Ken Stringfellow
Mixed with Sheldon Gomberg & Kevin Smith

ABSOLUTELY NO SENSE OF HUMOR
Andras Jones – Vocals & Guitar
Bruce Witkin – Bass
Rob Klonel – Drums

Recorded & Mixed by Bruce Witkin
on June 6th, 2019

OLYMPIA’S SECRET
Andras Jones – Lead & Harmony Vocals, Electric & Acoustic Guitar
Ken Stringfellow – Guitars, Keyboards, Piano, Vocals & Percussion
Sebastian Steinberg – Bass
Jimmy Paxson – Drums

Recorded by Sheldon Gomberg & Kevin Smith & Ken Stringfellow
Mixed with Sheldon Gomberg & Kevin Smith

KNEW YOU
Andras Jones – Lead & Harmony Vocals, Electric & Acoustic Guitar
Ken Stringfellow – Guitars, Keyboards, Vocals & Percussion
Jordan Katz – Trumpet
Sebastian Steinberg – Bass
Jimmy Paxson – Drums

Based on a Previous arrangement with
Marshall Thompson, John Nason, Brian Schey & Colin Mahoney
Recorded by Sheldon Gomberg & Kevin Smith & Ken Stringfellow
Mixed by Ken Stringfellow

GET OUTTA MY HEAD
Andras Jones – Lead & Harmony Vocals, Electric & Acoustic Guitar
Ken Stringfellow – Guitars, Keyboards, Vocals & Percussion
Rhythm Section Unknown

Recorded by Sheldon Gomberg & Kevin Smith & Ken Stringfellow
Mixed with Sheldon Gomberg & Kevin Smith

MIGHT AS WELL MAKE IT (WONDERFUL)
Andras Jones – Lead & Harmony Vocals, Acoustic Guitar & Keyboards
Vikram Devasthali – Trombone
John Schroeder – Electric Guitar
Zac Rae – Keyboards
Rhythm Section Unknown

Recorded by Andras Jones
& the players in their home studios
Mixed with Sheldon Gomberg & Kevin Smith

JONES’OPONOPONO
Andras Jones – Vocals & Acoustic Guitar
Jordan Katz – Trumpet
Vikram Devasthali – Trombone

Recorded live in The Martin Apartments
in Olympia, Washington
on February 27, 2013
Horns added later

Mixed with Sheldon Gomberg & Kevin Smith

All tracks mastered by JJ Golden at Golden Mastering
Horn Tracking on Songs 1, 6, 8 & 12 by Mark Rains at Station House Studio
Cover Photo by Sarah Takako Skinner
Album Layout by Steve Stanley
Pressed by Citizen Vinyl
All Andras Jones songs published by Previous Music (ASCAP)

AN ERICA RUSSEL PRODUCTION

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Andras Jones Olympia, Washington

Andras Jones has toured the US and Canada solo and with his band The Previous since the early 90's.

He is the creator and host of The Radio8Ball Show, the author of "Accidental Initiations" (from Sync Book Press) and the star of several motion pictures.

After an extended sabbatical, Andras Jones is once again performing his songs live onstage. Look for him at a venue near you.
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